Las óleos de todo Jan van Scorel

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23491

adam and Eve (nn03)

c 1540 Oil on panel 47.6 x 31.8 cm 18 3/4 x 12 1/2 in Private collection

77578

Enzyklopadie der Weltkunst

Medium Oil on panel Dimensions 67 ?? 76.5 cm (26.4 ?? 30.1 in) cyf

70781

frambarandet i templet

olja pa tra 85x114cm se

3866

Head of a Young Girl

Art History Museum, Vienna

70780

huvud av ung flicka

olja pa tra 23x28.5cm se

93449

Landscape with Bathsheba

circa 1540-1545 Medium oil on oak panel Dimensions 100.4 x 203.9 cm (39.5 x 80.3 in) cjr

91740

Landschaft mit Tobias und dem Engel

1521(1521) Medium oil on panel Dimensions 81.5 X 123.4 cm (32.1 X 48.6 in) cjr

89666

Lucretia

1535(1535) Medium oil on oak cyf

77686

Madchenkopf

um 1530/1535 Oil on panel 28,5 x 23 cm cjr

80951

Madchenkopf

Deutsch: um 1530/1535 Medium Oil on panel Deutsch: Öl auf Eichenholz Dimensions Deutsch: 28,5 x 23 cm cyf

91216

Madonna of the Daffodils with the Child and Donors

Oil on panel, 56 x 76 cm c. 1535(1535) cjr

75774

Maria Magdalena

Oil on panel 67 ?? 76.5 cm (26.4 ?? 30.1 in) cjr

85012

Mary Magdalen

Date c. 1530(1530) Medium Oil on oak panel Dimensions Height: 67 cm (26.4 in). Width: 76.5 cm (30.1 in). cjr

88784

Mary Magdalen

1530(1530) Medium Oil on oak panel cyf

33539

Mary Magdalene

mk86 1529 Oil on canvas 67x76.5cm Asmsterdam,Rijksmuseum

40350

Mary Magdalene

mk156 c.1530 Oil on panel 67x76.5cm

21392

Mary Magdalene (mk08)

1529. Oil on canvas 67x76.5cm Amsterdam,Rijksmuseum

92801

Mary Magdalene.

c. 1530(1530) (1525-1535) Medium oil on panel Dimensions 67 X 76.5 cm (26.4 X 30.1 in) cjr

89667

Portrait of a Man

1535(1535) Medium oil on oak cyf

88382

Portrait of a Man of Thirty

1521(1521) Medium Oil on wood cyf

84544

Portrait of a Man of Thirty-Two Years

Date 1521(1521) Medium Oil on wood Dimensions Height: 51 cm (20.1 in). Width: 43 cm (16.9 in). cjr

83790

Portrait of a Venetian Man

Date ca. 1520(1520) Medium Oil on wood Dimensions Height: 45 cm (17.7 in). Width: 33.5 cm (13.2 in). cjr

87626

Portrait of a Venetian Man

1520(1520) Medium Oil on wood cyf

79237

Portrait of a young scholar

1531(1531) Medium Oil on panel Dimensions 46.5 x 35 cm (18.3 x 13.8 in) cyf

80022

Portrait of a young scholar

1531(1531) Medium Oil on panel Dimensions 46.5 x 35 cm (18.3 x 13.8 in) cyf

92968

Portrait of Reinoud III van Brederode

c. 1545(1545) Medium oil on oak panel Dimensions 78.6 X 67 cm (30.9 X 26.4 in) cjr

84543

Presentation of Jesus in the Temple

Date between 1524(1524) and 1526(1526) Medium Oil on wood Dimensions Height: 114 cm (44.9 in). Width: 85 cm (33.5 in). cjr

88381

Presentation of Jesus in the Temple

between 1524(1524) and 1526(1526) Medium Oil on wood cyf

3865

The Presentation in the Temple

Art History Museum, Vienna

29922

The Stigmata of St.Francis

mk67 Oil on panel 27 3/16x21 1/4in Pitti,Palantine Gallery

Jan van Scorel

Dutch 1495-1562 Jan Van Scorel Galleries Jan van Scorel (1495, Schoorl - December 6, 1562, Utrecht) was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. It is not known whether he began his studies under Jan Gossaert in Utrecht or with Jacob Cornelisz in Amsterdam, but it certain that it was the master painters he would meet later in his life who would have the greatest effect on his technique. Van Scorel began traveling through Europe in his early twenties, first heading to Nuremberg and then to Austria. It was there, in 1520, that he completed his first representative work, the "Sippenaltar" in St. Martin's church in the village of Obervellach. Giorgione served as a considerable influence on van Scorel during a tenure in Venice. Upon leaving Venice, van Scorel passed through Rome and made a pilgrimage to the Holy Land. His experiences in Jerusalem are depicted in many of his later works. In 1521, van Scorel returned to Rome where he met Pope Adrian VI, who appointed him painter to the Vatican. He himself sat for a portrait. Van Scorel enjoyed the influence of Michelangelo and Raphael, and succeeded Raphael as Keeper of the Belvedere. Upon his return to the Netherlands in 1524, he settled in Haarlem where he began a successful career as a painter and a teacher. Van Scorel was a very educated man and skilled as an engineer and an architect, as well as an artist. He was also multi-lingual, no doubt as a result of his travels. Considered to be the leading Netherlandish Romanist, van Scorel moved to Ghent for painting contracts before moving to Utrecht for the same reason, where he died in 1562, leaving behind a wealth of portraits and altarpieces. Though many of his works fell victim to the Iconoclasm in 1566, some still remain and can be seen primarily at museums in the Netherlands.

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